This will come as no surprise to those who've followed GGM since 2014's Bishouné: Alma Del Huila, the critically-lauded, self-produced EP that put him on the map, and served as sample fodder for a handful of popular music's most iconic artists. His follow-up LP, 2017's Jardin, melded classical and folkloric instruments with rnb, hip-hop, and cumbia, proving once again that Gabriel is totally comfortable making transformative, funky, cathartic records all by himself. Agüita, his first release for Jagjaguwar, is a sequence of impossibly diverse offerings ranging from trap anthems to string-drenched art pop ballads - a prismatic self-portrait, personal and universal all at once. The artist is present, and he is in final form. Garzón-Montano's ability to execute a wide range of musical styles is his secret weapon - and so it is no wonder he bristles at the prospect of settling into any one genre. "Genre has never been a consideration," he says. "The idea of genre uses fear of failure as a baseline. Genre puts the music in a box. This album is anti-genre. Anti-fear. Anti-box." What remains is an ultra-personal journey through the three separate characters that constitute GGM's personality: the debonair leading man, the wistful impressionist, and the Latino Urbano hitmaker. In this life, a first-generation American, born in Brooklyn to French and Colombian parents, can marry 808s with 19th-century art song, and catch a million plays in a weekend. In this life, old school analog tap ATTENTION: please remember that all Blu-Rays are Region A USA and all DVDs Region 1 USA and you will need a multi region Blu-Ray/DVD player to play them.